No one is born a writer; literacy is a peculiar mode of being, but I was all about stories from a very early age, before reading.
For me, before I learned how to read I was really interested in story and in landscape and nature. I decided to become a writer almost as soon as I learned to read.
[In mountaineering, if] we look for private experience rather than public history, even getting to the top becomes an optional narrative rather than the main point, and those who only wander in high places become part of the story.
Stories are compasses and architecture, we navigate by them, we build our sanctuaries and our prisons out of them, and to be without a story is to be lost in the vastness of a world that spreads in all directions like arctic tundra or sea ice.
The present rearranges the past. We never tell the story whole because a life isn't a story; it's a whole Milky Way of events and we are forever picking out constellations from it to fit who and where we are.