As far as I'm concerned, I'm now in the business of making spiritual records and using my voice for that purpose. I'm not going to be singing songs that I made in the past. I closed the door on that incarnation of Sinead O'Connor.
What I hope is to really focus on being a songwriter. I'd love to write songs for other people; that's something I'd really like to start doing.
I guess there's a song for absolutely everything that could possibly happen to a person.
Generally I don't listen to sad songs if I'm sad. I listen to happy songs.
There's a standard of songwriting that, when you start immersing yourself in those types of songs, it raises your own bar as a songwriter. There's also simplicity in the songwriting. It's much harder to be simple than it is to be complicated.
I listen to, like, funky Chicago blues. I love blues, but I love the funky, happy blues. There's a song about pretty much everything, including kidney stones, believe it or not. So there's something there for whatever you happen to be suffering, you know?
I love songs, and I love songwriting, and there's a standard of songwriting within Chicago blues in particular. I don't like the sad blues, necessarily; the Chicago blues is what I like, which is the kind of blues you can dance to.
We have a tradition of passing our history orally and singing a lot of it and writing songs about it and there's kind of a calling in Irish voices when they're singing in their Irish accent.
Songs are like ropes that you can kind of hang on to or pull yourself up on.