People who create art would be fools to assume they know exactly what people are going to think of it.
I think sometimes songwriting becomes diluted when you have lots of components to mask a lack of core.
I think the Yamaha has a giant quality. When you combine the Yamaha with other organs, you get this crazy rectangular sound. It's kind of flat and thick.
But I love the hot sweat. I think overheating onstage is invigorating. It's better than being comfortable. I think being comfortable is the death of a show.
I don't think my vocals demand effects. I like reverb to a certain extent, but I don't want to hide my voice. I like stripped-down vocals, but I also like crazy, powerful, doubled vocals like in dance or electronic music.
I think the voice is an underrated instrument these days and it's easy to make up for lack of ability with effects. I think sometimes people are more wowed with effects than core craftsmanship. Strong voices are not as common as they used to be.
We feel more and more intensely about the music we make. It's unexpected, and not always what you would think of in Beach House. It's all art in the end. We aren't making records because we have to; it's because it's what we want to express.
For me, it's really day to day. I don't really plan ahead and I like to be excited about what I'm wearing. Being on the road all the time, it's various articles of clothing that keep me inspired and feeling good. A fun or beautiful thing to wear can change your day. I think spontaneity and not adhering to any narrow styles keep me happy.
In general, I think I'm a very private person. But I also love human beings.