You can fool people. You can fool anybody anytime of the day, but you can't fool yourself. At night, when you go home, you've got to be straight up with you.
I'm not crazy about arenas just because I can sell them out. It doesn't do anything for my ego at all. I want to play places where people don't have to sit in the nosebleed seats and wonder what the hell is going on.
I've turned down a lot of arena dates because I've done the big-arena thing. Now, I want to do something where people can feel me and I can feel them.
Being around people like Aretha Franklin and Gladys Knight, Dionne Warwick and Roberta Flack, all these greats, I was taught to listen and observe.
I'm the kind of person, if, if I have a day that is nerve-wracking, or my week has been bad or something's going down, I won't eat. Some people eat, I don't eat. And it shows in my physical frame.
Being around people like Aretha Franklin, Gladys Knight, Dionne Warwick and Roberta Flack. . . had a great impact on me as a singer, as a performer, as a musician.
I'm tired of people taking off their clothes.
Sometimes you do have a good time. But when it gets to the point where you're sitting in your home and you're just trying to cover what you don't want people to know. It's painful. And then you want more just so that you don't let anybody see you cry. Or anybody to see we're not happy.
You get that love from the people. It lets me know that all the madness I go through, all the stuff that the business has to offer with all its madness; it makes it worthwhile.
I was aware of people staring at me. No one moved. They seemed almost in trance. I just stared at the clock in the center of the church. When I finished, everyone clapped and started crying.