I think that adult Polish audiences, while observing what was happening in Poland, started to give in to a particular kind of anxiety.
Young directors had no choice but to throw themselves into writing scripts. That did not have a positive effect on the quality of Polish cinema.
However, that old mode of Polish filmmaking virtually disappeared.
Also a great part of Polish industry proved to have existed only to support the Soviet military industry, and it became superfluous and incapable of being transformed into anything else. We did not foresee that or the magnitude of these phenomena.