Most of the day I work standing up, as I once read somewhere that it's the best position for the back.
Having a memoir and a retrospective of your work running almost simultaneously when you're still alive does feel a bit posthumous.
I've always felt that I was a bit of an outsider to the British children's-book illustration scene, because I don't work in line and wash.
Although I have two good Anglepoise lights, I much prefer to work by daylight.