It was memorable the first time 'The New Yorker' bought a cartoon from me. I had been sending them batches for years every week, and they didn't respond to them.
I've had mostly book parties, where I get very focused on inviting everyone and not forgetting anyone, although of course one always does, and being worried no one will show up, but mostly the book comes from going to parties and feeling very, for lack of a better word, anxious.
What I like about graduation speeches is that they're an opportunity for someone to make sense of their life and to impart that wisdom to someone else. It's like a sanctioned self-help moment.
My mother couldn't take having three boys. She was extremely jumpy, to say the least. Any noise startled her. The sound of a pot dropping on the ground could make her hit the ceiling.
Of course I loved 'I Love Lucy' and saw every episode over and over again. I found it heartbreaking that Ricky got to be famous and have an exciting life at the Tropicana while Lucy was stuck in that terrible apartment with the Mertzes.
James Thurber was an inspiration because his drawings were so primitive. I am self-taught - I didn't go to art school - so I thought when I started doing them, 'If James Thurber can be a cartoonist, I can,' because his stuff is very raw.
My cartoon life is in my office, and it's very separate and getting very in my own head. My television life is I'm begging one of the actors to say the line in the way I'd like them to.
In many ways, cartooning is my therapy. I've always said they're like my diaries. It's thoughts and feelings and things I've seen on any particular day.
Traditionally, the only way I come up with cartoons is by sitting at my desk and thinking.