The first thing that goes into shooting a scene is understanding what's on the page.
There were some scenes where I took ten takes and there were some where I took one.
There are some scenes that work beautifully in a moving, sweeping master, which is how I like to work.
That's the only way I can control my movie. If you shoot everything, then everything is liable to end up in the movie. If you have a vision, you don't have to cover every scene.