It's hard to notice things without people noticing me and that takes some getting used to.
One of the ways I think I gain fodder for characters is by watching people.
I'm just not one of those people who thought having biological children was that important, to me it was more about wanting to raise a child.
I don't have examples in my life of people who are all good or bad; I have deeply loved many people who are both, and I relate to those kinds of people on a far greater level.
I've never been all that interested or aware of what people are thinking about me or saying about me. I think that has kept me safest and sanest.
With everything that you do, once the costume is on, and you're in the pretend hospital, and you're there with your co-workers, it all sort of snaps into place: Who you are, what it feels like, who these people are to you.
I don't know. I would never want to know. I wish I didn't know that we were ending when we're ending because I have this sort of gravity about the time I'm spending with these people I love that I wish I didn't have. But it's inevitable.
And hey-the psychiatrist in the show is Italian also. So people are going to focus on what they want to focus on. There's not much you can do about that.
I think people can relate to a lot of these characters. They say, 'Oh, I am sort of like that, and my kids go through stuff like that, and I had to deal with that.' And then Tony Soprano goes and kills somebody.
Not one, no, not even a single one. ... People have been shot for less on my show.