A lot of the films now are more focused on the visuals than on the actors. I think all directors should go to drama school.
At drama school, I always picked the really evil roles. It's a great way to deal with your everyday emotions.
In France, the auditions and the plays aren't good, they're too laid back. And I remember in the London school you had a voice teacher, you had an improvisation course, you had to study authors, you had a lot of things. In France, you just act in a lot of scenes, but it's too vague.