We were number one most added at radio, when the single came out and that's much different. It took like eight months for any radio to happen on the first record, so a lot more support has happened right out of the box.
I think it would be very scary and very confusing if I didn't understand where people are coming from, but I've felt the exact same way for so many other bands, growing up. It's not really a big deal.
I think I've changed so much it's almost hard to say what has happened. I think in the last few months I've been going through the most changes.
Sometimes music is an escape from things, from the way you feel. It's cathartic. Dwelling in the negativity all the time, it starts to not be real.
I didn't want the record to be cold and I don't think it's cold at all. I felt it was very people oriented.
The two records are very different. I guess, on the second record, that's more where I was at. Its not that I'm more well-adjusted or anything, it's just that what I wanted to sing about maybe was more the way I wanted to feel.
I'm still open minded but I haven't really studied too much in the past two years. That hasn't been really where my mind has been.
The audience that surprised us the most was definitely Paris, when we played there last. They were just incredibly into us and we weren't expecting it at all.
We're making this huge changeover from underground to more mainstream audiences. I don't know if we could ever repeat this type of feeling. We're really excited.
We used to go and play shows in the south in front of two people and now every show we did was just great. The warm-ups, most of those weren't even advertised and most of them were sold out. I don't know what's going on, it's just so much different than it used to be.
'Free' is more of that 'familiarity breeds contempt' kind of thing. It's about saying 'Wait, I'm longing for something more than I have and I don't know what it is that I want, but I know I want it.' It has nothing to do with what I'm going through, personally.
I'm really happy with Elektra, I don't have anything bad to say about them at all. I always knew a major label was the right place for me to be. I never really had an opportunity to go to an independent label anyway.
It doesn't really seem any different anywhere. I'd say it seems like we're biggest in Australia. It's just that we've always been this underground band and for some reason in the last month has been starting to go overground.
I wanted to do that again but, when I went to look for chants, I didn't want to do it in the exact same way.
It definitely seems like we are connecting with people, which is nice, because I've had a lot of music do the same for me. It's not like I don't I understand why we get the reactions we do.
Back then, I remember there was a lot of alternative pop going on - that slow, weak, kind of apathetic independent rock stuff, but that's gone now.
I thought I wanted to give it a rest on this record, or bring it back in a different way, and I consciously decided to take a rest on the samples.
I want to do a collaboration or some kind of side thing or some soundtrack work. Because I've been doing this for years and years. I'd like to just step out and try something different.
I think any band we played with would be a weird match. We're on our own, a little out there, but it's a good thing. I think we're complimentary to each other.
At least the rap metal stuff is good, but it's not really my bag. I've been listening to the radio since we've been touring the past month, because we don't get it most of the time.