Aside from a few master teachers that we have had over the years, this has been a completely local talent development. But people have started to come now from Chicago, we have a number of students from Chicago and different places of the country and even in the world.
You know, this isn't theatre like it used to be.
The older I grow the more I see the influence of my family on my life. I didn't always see it. It was up to our parents to see that we had our education in a town that hadn't yet realized what racial prejudice was but actually knew and practiced it on occasion.
We had maybe the greatest success of any company that I know of in Paris, and after two or three years I wanted to do this same number that we did for PBS, so we did it and Paris had always considered us their darlings.
I'd say that anyone who is going to start a minority program to try to think in terms of a big library and some small kind of museum.
I was in love with the West Indies and I liked the authenticity with which Trinidad was presented but the critics could have cared less.