The essence of my dramaturgical considerations is that I want to chuck out the most superfluous, habitual constraints and escape from rigidity, but at the same time film is a means of communication.
I kind of have to see it through to the end, don't I? But at the same time it's also rather dull doing something for the second time, I must admit. I've never made anything twice in my life.
I'm much calmer. We had a lot of time problems going to Cannes. The print was ready one day before it was shown. Now I feel very good.
I enjoy dialogue that leads to something more comical, and at the same time I like the added poignancy, too.