I work between 'action' and 'cut'. My life doesn't carry on after 'cut' in terms of my relationship with the characters.
I look for the role that excites me and work with whoever that director happens to be, wherever he wants to shoot the film.
If you're a waiter, the worst thing you can do is go to work resenting your job. This will sound trite - but it's the reality, and part of my personality - yet when I was a waiter, I tried to be the best waiter, and when I was a bingo-caller I tried to be the best bingo-caller.
I've loved Danielle Spencer since 1989 - that's never going to change - and that's one of those things where I stare at her and go, 'How did it fail?' I still can't work it out, because my feelings for her have never changed.
. The important thing to me is that I'm not driven by people's praise and I'm not slowed down by people's criticism. I'm just trying to work at the highest level I can.
Who on Earth had the ... audacity to take out the best actor's poem? ... I'll make sure you never work in Hollywood.