Even for the people in the business who are real music lovers it's really about putting things in the right boxes, and my style doesn't fit into a box.
There's this bubblegum pop thing which is prevalent now that we haven't had before. People's ears are slightly de-tuned; they've been exposed to this weird synthetic, implausibly upbeat, Mickey Mouse stuff which I think is just weird; it's not really a human sound.
For a long time I was trying to be poppier and younger. I didn't want to be on public radio or do any of that stuff for older people. Then I realized that that is exactly what I listen to.
I'm never worried about being upstaged. I love to have the best, most individual people come in and see if we hit on something.
I think I'm too cynical for L.A. My sense of humor doesn't go down well here, which probably affects my love life. I need to have a laugh track following me around so people know I'm trying to be funny.
I still do lots of gigs where I'm the support act and people are chatting through my set, but I've got better at grabbing attention. I mean, my parents would play on bills with people like Judas Priest and get booed all the way through. But they stuck it out, got tough.
People think unless you have loops and electronics and so on, you must be in your 50s. I quite like a lot of things that have loops and sequencers, but I couldn't really be bothered.
To say how you would react if you were really storming the charts and had people running around after you... who's to say how any of us would deal with that.