To those who know the speech of hills and rivers straightening a stream is like shipping vagrants—a very successful method of passing trouble from one place to the next. It solves nothing in any collective sense.
. . . perhaps our grandsons, having never seen a wild river, will never miss the chance to set a canoe in singing waters . . . glad I shall never be young without wild country to be young in.
In our attempt to make conservation easy, we have made it trivial.
Thus far we have considered the problem of conservation of land purely as an economic issue. A false front of exclusively economic determinism is so habitual to Americans in discussing public questions that one must speak in the language of compound interest to get a hearing.
We console ourselves with the comfortable fallacy that a single museum piece will do, ignoring the clear dictum of history that a species must be saved in many places if it is to be saved at all.
I know a painting so evanescent that it is seldom viewed at all except by some wandering deer. It is a river who wields the brush and it is the same river who before I can bring my friends to view his work erases it forever from human view. After that it exists only in my mind's eye.
Hydrologists have demonstrated that the meanderings of a creek are a necessary part of the hydrologic functioning. The flood plain belongs to the river. The ecologist sees clearly that for similar reasons we can get along with less channel improvement on Round River.
Never did we plan the morrow, for we had learned that in the wilderness some new and irresistible distraction is sure to turn up each day before breakfast. Like the river, we were free to wander.
The life of every river sings its own song, but in most the song is long marred by the discords of misuse.
The good life of any river may depend on the perception of its music; and the preservation of some music to perceive.
A river or stream is a cycle of energy from sun to plants to insects to fish. It is a continuum broken only by humans.