Charlie Kaufman Writing Quotations

I think of myself as a guy who tries to write screenplays and now has tried to direct one. Anything more than that is meaningless and it gets in the way of being a real human being.

When I'm writing, I'm trying to immerse myself in the chaos of an emotional experience, rather than separate myself from it and look back at it from a distance with clarity and tell it as a story. Because that's how life is lived, you know?

So when I write characters and situations and relationships, I try to sort of utilize what I know about the world, limited as it is, and what I hear from my friends and see with my relatives.

As I'm writing, I start to see connections, and themes I didn't see, and that sparks other things. So then I go back and rewrite things or alter them. It's a combination of intuition and a lot of finessing. It becomes a combination of the rational and the irrational.

I love working with actors. I love visual things. I always intended to be a writer who directs and a director who writes.

When I'm writing a script, before I can write dialogue or anything, I have two or three hundred pages of notes, which takes me a year. So, it's not like "what happens next." I've got things that I'm thinking about but I don't settle on them. And if I try to write dialogue before then, I can't. It's just garbage.

Directing is a more pragmatic experience, where you have to deal with the restrictions of time and money that force you to make certain decisions you don't have to make when you're writing.

I try when I'm writing to leave enough "space" for people to have their own interpretation, and not to direct it toward one conclusion. Then the audience would not be reacting, because they are being preached to or lectured at. I don't have that much to say that I think people should listen to me.

Seriously, I don't consider myself a writer. I don't think I have writing talent. But I will continue to do it.

I don't write genre stuff in any form. I'm not interested in it. I always try to do the opposite of that.

There's a point I can get to where I start writing character and then through the dialogue, after all of this preparation, the thing starts to feel like it's a character developing through the dialogue. A lot of character traits do come from writing dialogue, but I have to be ready to do it.

I actually think I'm probably more interested in structure than most people who write screenplays, because I think about it.

The way I write is very much without kind of a goal. I have something I'm interested in and then I decide I'm going to explore it. I don't know where the characters are going to go, I don't know what the movie is going to do or what the screenplay is going to do. For me, that's the way to keep it alive.

I think directing and writing are very different jobs. Obviously, directing is a more social and managerial job. The other thing about directing is that it's a very, very pragmatic job, and writing isn't.

From my vantage point in writing a story, I can't and don't and have no interest in thinking about the level of sophistication of the audience. I can only think about what interests me, and maybe what I would want to see if I were watching the movie. To me, that's the key to writing something that's not pandering.

Writing is a journey into the unknown.

I think dreams are metaphors. Everything you do in writing is metaphorical. So it seems like the same arena to me.

I don't have a style. I wouldn't say I have a style as a writer, either. I know people have said "This is what he does," but when I'm writing, I don't think about that. I don't think about a style.

I choose to write characters from the inside because I feel like that's the way I'm gonna get the most honest version of them.

Everything I've written is personal - it's the only way I know how to write.

The conventional wisdom is - people say this all the time - you should only write something when you're far enough away from it that you can have a perspective. But that's not true. That's a story that you're telling. The truth of it is here, right now. It's the only truth that we ever know. And I'm interested in that truth and the confusion being part of the experience and sorting it your way through and figuring it out.

You spend most of your time as a director trying to move forward with the movie. It happens on a daily basis, if not more than once a day, that you are struggling with budgetary constraints. Whereas when you're writing, the limitation that you have is your imagination. So it's decidedly non-pragmatic.

Say who you are, really say it in your life and in your work. Tell someone out there who is lost, someone not yet born, someone who won’t be born for 500 years. Your writing will be a record of your time. It can’t help but be that. But more importantly, if you’re honest about who you are, you’ll help that person be less lonely in their world because that person will recognise him or herself in you and that will give them hope.