Christopher Moore Art Quotations

You're going to break my heart, aren't you?

Oh, I would while away the hours, Wanking in the flowers, my heart all full of song, I'd be gliding all the lilies as I waved about my willie, If I only had a schlong.

Little-boy love...the cleanest pain I've ever known. Love without desire, conditions, or limits - a pure and radiant glow in the heart that could make me giddy and sad and glorious all at once. Where does it go? Why, in all their experiments, did the Magi never try to capture that purity in a bottle? Perhaps they couldn't.

Chapter 8, Dinner With the Vampire: Is there something wrong with your food?" No, I'm just not very hungry." You're going to break my heart, aren't you?

The Winter Woman is as wild as a blizzard, as fresh as new snow. While some see her as cold, she has a fiery heart under that ice-queen exterior. She likes the stark simplicity of Japanese art and the daring complexity of Russian literature. She prefers sharp to flowing lines, brooding to pouting, and rock and roll to country and western. Her drink is vodka, her car is German, her analgesic is Advil. The Winter Woman likes her men weak and her coffee strong. She is prone to anemia, hysteria, and suicide.

Regardless of its purpose, the humpback-whale song is the most complex piece of nonhuman composition on earth. Whether it's art, prayer, or booty call, the humpback song is an amazing thing to experience firsthand, and I suspect that even once the science of it is put to bed, it will remain, as long as they sing, magic.

There's one painting that historically would have been better, ... because it was painted at the beginning of the Impressionist movement, and the one we're using is painted later. In the script they say, 'This is a very important painting because it was painted at start of the Impressionists,' and that's not really true. It was painted a few years later. But they selected the painting for purely visual reasons -- that they would capture better on camera, that it was more appealing, that it would catch the eye better.

Finding a new map in the brain is a truly exciting experience. It's a little like traveling to an unexplored island. It's literally charting new territory.

I came back to San Francisco and spent more time in the neighborhoods like Chinatown and the Mission that I hadn't been in much before. I tried to get a feel for all parts of the city, so when I wrote the book, the neighborhoods would be like characters. There are scenes where all Charlie does is walk through neighborhoods, and it's like an Impressionist painting.

Our artists are very good technicians. They have sensibility and artistic balance. But quite often they lack in creation. I have one artist here in my studio in New York. She's a good painter, but she has problems of creating her own stuff, of inventing. She can copy from a postcard, but when she has to do other things she has a tough time. She knows it. Not everybody can do great things.

When you're telling stories, you are actually trying to illuminate some portion of the truth in an artful way. The story may immediately seem to be a lie, but it's like an impressionistic painting - you see the light and the color better than you would with a photo-realistic piece.

You know, a vampire book is not a book to be the vehicle for big themes and stuff, where sometimes when you're dealing with art or the life of Christ or the oeuvre of Shakespeare, you know, it's a little more ambitious.