I know that when you're a teenager - sometimes when you're an adult - what sets you apart can sometimes feel like a burden and it's not. A lot of the time, it's what makes you great.
My life is PG-13 sometimes, and I really want Josh Grogan to propose to me, and he just won't do it.
Sometimes the smallest step in the right direction ends up being the biggest step of your life.
The roles that have come into my life have taught me - and in that time period maybe I didn't even know it, but whatever came up or whatever it is that you have to express at that time, has benefitted me in a particular way.
I used to spray tan a lot when I was a teenager. The last time I got spray-tanned was for the Golden Globes. And I was like, 'I love spray-tanning so much.' I still really like it. But it definitely makes me look like I have leprosy, after a point.
I have a friend who says that roles choose you at the time that you need them most, and you have to believe, as an actor, if you didn't get a part that you really, really wanted, and it went to someone else, it was because it was theirs to begin with.
The end of 'City Lights' makes me cry every time I see it - when Charlie Chaplin walks by the shop window and the once-blind girl brings him a flower and pins it to his lapel.
I love improv. 'Crazy, Stupid, Love,' the script was really great, but the directors were open to letting you try different things. And that felt like a muscle I hadn't exercised in a really long time.
At first, when you go to premieres and award shows, you're thinking, 'How the hell am I here? All these people I've never met are here, and it's so cool!' And then, as time goes on, it's a little bit like, 'Ah... it's more like work.'