When I'm building my dome in my chapel, and I had a vision - I've worked on perpetual motion and I haven't never give it up yet. I still think it could be done, perpetual motion. I had a vision of a un resist able windmill.
I had a call to the University of Miami where I'd run a revival in 1950.
When I'm makin' lectures to these universities, I tell 'em I like that little building because when I run short a audience, if I can get three people in there I've got a good crowd.
But, when I had this feeling and started painting sacred art, as I had this feeling to do, then it come to me: my problem is I'll get a lot of criticism and another problem is my work's not good enough to sell.
You know, I been accused - people call me crazy like they did Noah, you know. Some people think I'm insane, like, maybe a percentage like insane?
And I just started a church. I called it the World's Folk Art Church. I bought this old church. There was no deacons or pastors or anything.
So all I have to do is just when that Holy Spirit says to do something, I know that's supposed to be done, regardless to anything else.
And since they wasn't able to turn my art over, I sort of just switched off to Phyllis Kind, she's really my agent. She has a gallery in Chicago.