I still have some of my old University essays, and I do still have my drawing book from primary year seven.
As long as a film stays unmade, the book is entirely yours, it belongs to the writer. As soon as you make it into a film, suddenly more people see it than have ever read the book.
I wouldn't like to be a character in one of my books!
Hersesy is denying the word of God, and the word of God is much more reliably expressed in the natural world as it’s revealed through reason and science than in what I have heard described wonderfully as “the giant book of Jewish fairy stories
Dead Air' is full of rants; it's a rant-based book. Yes, it's self-indulgence. I plead guilty; mea culpa.
I don't really do themes. I might accidentally, but themes are an emergent phenomena of the writing of the book, of just trying to get a story out there.
By the usual reckoning, the worst books make the best films.
I enjoy it too much - even if I knew I'd never get a book published, I would still write. I enjoy the experience of getting thoughts and ideas and plots and characters organised into this narrative framework.