We've gained something for disabled people in the province that they've never had before. Now they have rights.
Melodrama and melodramatic are not the same thing, and often people make the mistake of confusing the two.
It's difficult because Manhattan is so fantastic, and it's 9 miles away, and all these cool rich people live there and have great lives, and you live in a semi-attached row house in Queens.
You should just write the movie based on people you actually know and then just see who wants to play it. Cast the net.
Really, what I'm doing is an attempt to continue the best work of the people I adore: Francis Coppola and Scorsese and Robert Altman and Stanley Kubrick and those amazing directors whose work I grew up with and loved.
I've learned that you can never predict what will happen to a film. You can never predict if people will love it, if they'll hate it. It's an act of ego if you're hoping for everyone to love the film and tell you how great you are.
The conventional wisdom is that people come to the United States, and immigration is so great, and they say, 'America, what a great country.' And a lot of that is true.
At Ellis Island, I mean, you didn't go there if you arrived in first class. It was only the poorest, the people in the worst shape.
People are afraid of you guys, ... They're afraid of having their pictures taken. They're afraid of being interviewed. And they're afraid of serving on a big case like this with a lot of attention.
I continually marvel at people who can make films that reach five hundred million people. How do you do that? Everybody's different - I don't know how that works.
I don't envy the job of people who have to watch five movies a day - that's insane.
Most people don't watch a movie four or five times; they watch it once.
I don't think anybody realized until last Tuesday that this was a Klan-type outfit, a white supremacist-type outfit, ... Most people thought it was just a bunch of guys getting drunk on Saturday night or a drug deal that went bad.