I am producing sounds that people are not used to hearing from the harp.
People are often afraid for me. They think that I am going to break. I can make it through a set.
I never thought people would be mortally offended by the sounds I was making.
I don't look at people's expressions, because I still get nervous when I play, especially when I first put the harp up there. I just try to tune - it takes me a half-hour to tune, and I get nervous if I look at anybody when I do it.
I've been unaware of how people react to the instrument. People have ideas of what a harp is supposed to sound like, and a lot of them are negative ideas.
I had known that people would probably have strange reactions to my voice, because I have kind of an unwieldy, difficult voice, but I never thought that anybody would have a problem with the harp. I just assumed... C'mon, it's a beautiful instrument.
I don't think I'm abnormal and I think that lets people down.
I definitely don't subscribe to the theory that more instruments, or more vocal tracks, harmony, or double tracking the voice, is a good thing. People do their early albums very stripped down, then each album becomes bloated.
It's totally different. I usually don't tell people about the Pleased if they know me from the harp. And if they are there to see the Pleased, I usually don't tell them about the harp. I am nervous that these people will expect something similar.