I've always set my stories in places I know well. It frees me up to spend more imaginative time on the characters if I'm not worrying about the logistics.
I don't think we'll ever lose the desire for people to tell stories or to hear stories or to be entrapped in a beautiful story.
William Trevor is an author I admire; his stories are subtle and powerful, and beautifully written.
I hadn't really thought about this until 'The Lake of Dreams,' but I've set all my stories in places that are familiar to me. It frees me up to spend more imaginative time on the characters.
In writing, I want to be remembered for telling good stories in beautiful and powerful language, using the poetry of words to reflect the thematic concerns of compelling stories.
Writing is always a process of discovery—I never know the end, or even the events on the next page, until they happen. There’s a constant interplay between the imagining and shaping of the story.