When I was young, I remember feeling a real thirst for opportunities around the arts, for learning about how artists function and how institutions work.
I don't have any other skills. Some artists say that to mean that their embodied passion for art gave them no choice. I say it, very specifically, to say that I really didn't have any other options.
I wanted my art to deal with very formal concerns and to deal with very material concerns, and to deal with antecedents and art history, which for me go very far beyond just the influence of African-American artists.
Growing up in Chicago, there was a very particular type of home that would display the black Jesus figure. It wasn't a radical home. You wouldn't find these in a Black Panther house. There's still a strong allegiance to Christianity.
As an artist, I've always felt most comfortable outside of the art supply store. So domestic materials are the ones that most help inform what I'm trying to talk about and our familiarity as a whole - kind of the collective us, I guess.