Increasingly, it's people not interested in National Geographic.
Exotic novelty. My statement to [people] is always, well, set this picture in your home town, is it still an interesting picture? Or is it just exotic? Would I care about this same picture minus its exoticism?
Even though I teach with 35mm, my method takes people by surprise, because it isn't fast, and it isn't about hardware or software, or even great results. It's about great process.
There are things that I teach, about building photographs, and that's why people come to my workshops. When people come to the workshops, they're consumed with seeking the subject, and I teach seeking the setting.
...just like some people's instinct to photograph is triggered by vacation... assignments might be that to me and that's why I've built my life around assignments. That was the way to live the photographic life.
We know that photographs inform people. We also know that photographs move people. The photograph that does both is the one we want to see and make.
People say to me, "Who's your favorite kind of photographer?" Or "Who would be your favorite photographer to have in a workshop?" And I always say, "My Dad."