We need to find the money to do it again, but there was such a genuine interest among the dancers who did come forward that I feel we should.
Those 25 dancers we worked with for a day, in as highly productive a way as possible - a long class, a period of teaching bits of the repertory - in fact I didn't teach Bank, I've used parts of Oil and Water.
Two of them were chosen already, because they were dancers I'd seen coming to class and performing regularly, but not having enough work.
There's a hunger for learning, and I think that dancers are wonderful in their ability to turn round and say 'every day is a learning day'.