But then I go through long periods where I don't listen to things, usually when I'm working. In between the records and in between the writing I suck up books and music and movies and anything I can find.
I thought I knew exactly how it would sound, but it surprised me, ... It was a nice moment driving back from the city, and it caught me by surprise again. There's no other record (of mine) quite like it ... I never made another one.
I don't want to make a record like in the '50s or the '60s or the '70s. I want to make a record like today, that`s right now.
If you listen to the great Beatle records, the earliest ones where the lyrics are incredibly simple. Why are they still beautiful? Well, they're beautifully sung, beautifully played, and the mathematics in them is elegant. They retain their elegance.
I was the only person I'd ever met who had a record contract. None of the E Street Band, as far as I know, had been on an airplane until Columbia sent us to Los Angeles.
I had a ten-piece band when I was 21 years old, the Bruce Springsteen Band. This is just a slightly expanded version of a band I had before I ever signed a record contract. We had singers and horns.
When I first started in rock, I had a big guy's audience for my early records. I had a very straight image, particularly through the mid '80s.
I still like to go to record stores, I like to just wander around and I'll buy whatever catches my attention.
I was signed to a record label at the same time as my friend Elliot Murphy, who makes great records to this day.