Woody Allen Writing Quotations

I learned a few things on my own since, and modified some of the things he taught me, but everything, unequivocally, that I learned about comedy writing I learned from Danny Simon,

With films, I just scribble a couple of notes for a scene. You don't have to do any writing at all, you just have your notes for the scene, which are written with the actors and the camera in mind. The actual script is a necessity for casting and budgeting, but the end product often doesn't bear much resemblance to the script--at least in my case.

I loathed every day and regret every day I spent in school. I like to be taught to read and write and add and then be left alone.

It's all through the actors; I cannot write in that idiom

To be a film director is not a democracy, it's really a tyranny. You're the head of the project, for better rather than worse. I write the film and I direct the film, I decide who's going to be in it, I decide on the editing, I put in the music from my own record collection.

I'll work by myself for years and then I'll think it'll be fun to et one of my friends like Marshall Brickman or Doug McGrath into a room and not be alone for the writing of the thing; to have the pleasure of taking walks and get lunch together; its sort of a fun process and then I do it and then I get back on my own for a while until I feel the need to do it again.

I like writing. It keeps my mind off grim subjects. It's therapeutic in the same way a patient in an institution is given fingerpaints.

I wish I was writing something much more heavy each time I did a film, and that the comedies just occasionally come out. But unfortunately you're stuck with what you're born with.

I write the script; nobody sees it, not the people that put the money in the picture. I cast who I want, and make the film. That's why I've always felt the only thing standing between me and greatness, is me. There's no excuse for me not to be great except that I'm not.

[Stanley] Kubrick was a great artist and a perfectionist. He always wanted the exact right thing. He did a million takes. Everything had to be perfect. I'm an imperfectionist. I don't really care that much about the work. I write quickly. I'm careless. I shoot carelessly.

In certain areas I don't function well and in other areas I function very well. I'm very good professionally. I have good discipline, I'm able to write every day and do films and not go six times over the budget. I mean I'm a coherent person, but I also don't like to go through tunnels when I travel. I'm claustrophobic.

What people who don't write don't understand is that they think you make up the line consciously — but you don't. It proceeds from your unconscious. So it's the same surprise to you when it emerges as it is to the audience when the comic says it. I don't think of the joke and then say it. I say it and then realize what I've said. And I laugh at it, because I'm hearing it for the first time myself.

I always write the same way. I always write with a yellow pad and a ballpoint pen on my bed. And then I go and type it up afterwards. I've always done that. Those things become habitual.

When I'm writing something, if there's a part that's good for me, then I'll play it. Otherwise, I don't. And I notice that there are less and less parts for me in my own writing.

When I naturally write a story and I feel that the guy (is) sitting across the table from the girl and flirting with her... I think, 'God, that can't be me' because I'm just too old for that part. You need a 30-year-old or a 35-year-old for that part. And so I've given myself less and less roles.

When I started out, I was a television writer, and we wrote a television show that was on live every week. And you didn't have the luxury of coming in and waiting to be inspired. You came in and you had to write. And you wrote, because it was going to be live on the air. So I can do that.

It's a wonderful thing to be able to create your own world whenever you want to.

The comedies are not a million laughs on the set. Its business and the dramas are business as well, really. When I'm writing it I struggle more with drama because I started out in comedy.

In the shower, with the hot water coming down, you've left the real world behind, and very frequently things open up for you. It's the change of venue, the unblocking the attempt to force the ideas that's crippling you when you're trying to write.

I never have an alter ego in the movies. That's a fiction that the press has made up over the years, and it's fun to write that. It gives them something to write.

When you write the script, you're home in a room by yourself, and you're writing, and there's no connection with the real performing world. So you get a lot of things wrong and make a lot of mistakes and make a lot of bad choices.

My gift was in comedy. I found out I could make jokes. I could tell jokes. I could write them. So over the years, that's what I've done.

I write about what I want to write about, and so the film comes out as a very personal expression even if its subject matter is totally prefabricated.

Writing is great because you never have to meet the test of reality when you're writing. When I write the film is always a masterpiece at that point. I write and I make up things and budgets don't mean anything and it's great.

My films are misinterpreted all the time. I don't mind that. Everybody's films are misinterpreted. But there's no malice or stupidity in the people that misinterpret them. You know what you do, but someone else sees it, and they want to talk about it or write about it, and so they misinterpret them.

During the course of the year a number of ideas just come up automatically. I could be walking down the street. Or shaving. An idea will hit me and I'll write it down. Then, when I'm ready to write, I check my little matchbooks and napkins and find that it is good or it's pretty terrible. There are other times when I don't have any ideas and I'll go into a room and close the door and I sit and sweat it out for a day or a month and eventually I come up with [something].

I have great faith in the actors. When they improvise, it always sounds better than the stuff I write in my bedroom. When they improvise, they make it sound alive.

There is an advantage in having a routine and working with the same people when you can and in writing as a regular thing and filming as a regular thing. That routine pays off for you. You get a lot of productivity that way, rather than sitting around waiting for inspiration and waiting for the perfect thing to happen. I would be much less productive that way.

Standard mathematics has recently been rendered obsolete by the discovery that for years we have been writing the numeral five backward. This has led to reevaluation of counting as a method of getting from one to ten. Students are taught advanced concepts of Boolean algebra, and formerly unsolvable equations are dealt with by threats of reprisals.

Since I was a kid, I could make up stories, I could make up funny jokes and I could always do it. When I'm walking down the street or having dinner, ideas will hit me, and I write them down on matchbooks or napkins and throw them in the draw.

People ask me whether I think that one day I might wake up one morning and run dry, but I've had the opposite feeling - that I would die before I had time to write all the ideas in my drawer.